Category: Off the Menu


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August 24, 2007

I was on Letterman on Thursday singing backup for Steve Earle (who, on top of being a folk/country badass legend, is also an actor on The Wire, one of my favorite TV shows of all time). If you saw it, the dreamy-voiced woman I was singing with is Allison Moorer, a really talented singer-songwriter.

I didn't tell you because I'm superstitious about things not happening if I announce them. But I'll tell you this: I sat next to Tina Fey in the makeup room and she brought her own lipstick, which is probably smart cause who knows what lips have been touched up by those brushes; Venus Williams is really tall, very pretty and has an 8-deep entourage; Letterman is tall but not crazy tall; and it really is COMPLETELY FRIGID in that theater. Like I could see my breath when I sang.

Now that it's happened, I can't find a YouTube clip, and it's not on Letterman's site, so I don't really have any proof. I wanted to take something with me as a memento, but I'm no klepto. Instead, I just bagged all of the free cookies from the dressing room. So here they are, real cookies from the Late Show's catering, yo. Mostly chocolate chip, with nuts or without, and a few oatmeal raisin. Believe.

letterman.jpg

My Mae seemed a little impressed, more impressed than she was with Carnegie Hall originally. Go figure. She apparently watches the Late Show when she can't sleep.

The thing that made me feel really New York glamorous was that I just walked to the theater from work, put my makeup on, sang, then hopped on the subway to meet everyone for dinner downtown. I love New York!

UPDATE: Here it is!

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August 12, 2007

Sorry for the aside, folks, it's about to get geeky up in here. Come back tomorrow if you just want to hear about the food.

I was having a really lovely Saturday afternoon yesterday, so I decided to try and upload Movable Type 4.0, release candidate 4. I've been wanting to solve the spam problem I've had for months. Big mistake. 12 hours later, at 3:30 in the morning, thank goodness I had the sense to reboot my database. Complete disaster.

Much of the problem was my human error, I'm sure. I felt sympathy for the befuddled generation who couldn't figure out how to program a VCR. There are whipper snappers out there who could out-upload me in a second, I'm sure. True, the migration from Typepad to Movable Type was accomplished only with much hand-holding by my buddy Adam. But whatevs, I've been running this website for over three years now, surely I could handle a simple upgrade! But no, I got smacked down by the technology.

To anyone who's curious, MT 4.0 Release 4 beta LOOKS like a fine tool.

*The interface is a little blocky and cold, which I don't mind. <

*Comment clean-up seems much faster -- you can choose to display 100 comments at a time. There is apparently a CAPTCHA to reduce spam, which I couldn't find in my republishings of the site.

*I liked the rich text editor, which I would much prefer to the hand-coding labor I do on my current iteration of MT 3.2.

*MT 4.0 beta's rc from 6/27/07 seemed to upload to my server in a snap but was a little buggy, so I upgraded to rc4 and my site crashed.

*I liked the added option of allowing tags, keyword editing, excerpts because I like the science of SEO. I wouldn't necessarily use them, but I like that they're an option.

And really, I read the documentation (well, I read it after I crashed my website), but in one part, it says to upload the MT folder into a cgi-bin folder, and in another, it says it should live on the root. And I would recommend a fresh start upload instead of an overwrite because otherwise, you'll have to go through and clean out all your plug-ins, which may prevent your database from getting configured. You'll have to re-upload all your plug-ins, but I don't actually use very many so it's not a problem with me. (Also, I think Blogroll doesn't work in MT 4 yet.)

I'm just going to wait til the bugs are fixed and the release is stable and approved by many before I shepherd everything over. The release candidate from June 27 didn't crash the site, but the current release candidate did. For the curious: I think it's the templates. I'd have to rebuild all my templates from scratch because MT 4.0 has a new system of templating which you have to use in order to publish anything. I've realized that I built my website in this hodge podge coat of many colors way (Dolly's coat, not Joseph's coat). So a migration to the new system means building the site from the bottom up. The code and tags would be much cleaner, but it's hard to commit to that kind of work.

I also learned that I have lost many of your comments to the spam filter. If you've ever written a comment and it didn't get posted, it's not because I didn't like your comment. It's because I'm having this horrible spam problem and your comment got shifted into the manure pile of tramadol prescriptions, cheap airfare and enthusiastic ladies who think I have a "Very good site!! :-)" The commenter trusting option has never worked on my MT, and the 18,000 spam comments I have effectively bury the real comments.

Anyway, an upgrade TK. Whether I move to Wordpress or MT 4. I guess it's time to redesign, too. If any of you have any advice for this old broad, I'm all ears.

(If you were my therapist, or my friend Julie, you might say, Ganda, you quit your freelance assignments in order to free up some time for a social life. And yet, here you are, shackled to your computer. You didn't go out last night because you were migrating folders back and forth on the FTP. Don't you think it's time you left good enough alone and went out and dated once in a while? To which I might reply by mumbling something under my breath about having to clear out my spam box while staring at my shoes.)

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August 8, 2007

Beagle_dog_xing_thumb_640.jpgDOUG: Look how cute! Beagle crossing.

GANDA: [cogs turning] Ohhhhhhhhhh......

DOUG: What?

GANDA: Beagle CROSSING.

DOUG: What do you mean?

GANDA: I never knew it was CROSSING.

DOUG: What? What did you think it was?

GANDA: Xing. [Pronounced "zing"]

DOUG: [Laughing] Zing? Zing is not a word!

GANDA: What? I just figured it was its own thing. It's painted on the streets! XING! On signs -- XING! XING, it's a word, like "traffic" or "street".

Later:

GANDA: Who is Dottie's mom?

DOUG: Christina. Or should I say Xing-stina? [Laughing]

GANDA: Ha. Ha.

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July 18, 2007

I'm finishing up at work today, trying to tie things up so I can leave the office at 6 to meet La Doug downtown. All of a sudden, I hear this huge boom.

From my cubicle, to no one in particular:

ME: What the fuck is that?

I look out the window to see if it's thunder, but it isn't thunder. There's plenty of light brightening the sandy brick of the opposite building. But the boom isn't a boom at all. It's a roar. And it keeps going. And going. The building is shaking. Five seconds, ten seconds of this roar pass. The fire alarm starts going off. My co-worker looks me square in the eye and yells, "RUN!"

I grab my bags and wallet and run for the emergency exit. As we run down the eight flights to the ground level, the roar gets louder and louder. I can feel the air getting a little thicker, more humid, as we get closer to the exit. I'm wearing a black wrap that I like to put on when it gets chilly in the office. Its fringe whips around me, getting tangled up with my bags as I fly down the staircase. I wonder, am I going to have to wet it down and use it to cover my mouth so I can breathe through clouds of debris, the way my cousin did when she was walking home from Whitehall St. during 9/11?

I get a glimpse of the people in front of me as they burst through the doors. By this time, the roar has grown. I'm not sure where we get let out, but the building sits on the east side of Lexington, between 41st and 42nd, right down the street from Grand Central station. I'm positive that my fear of working above Grand Central is justified, and that Grand Central has been blown up or something. I think about the Piccadilly Circus car bomb.

I break through the exit's double doors. I look to my right towards the source of the loud roar. I see fat plumes of dirty smoke spewing upwards, ominously tall, obscuring the sky. I make myself believe that I'm looking at Grand Central, that the beige smoke is coming from underground. Is the smoke moving towards me? Is it billowing out like the ash tsunami did during 9/11? I can't tell, but I decide I don't fucking care, I am getting as far away as I can as fast as I can.

[Video found on YouTube, not taken by me. My building is the silvery art-deco skyscraper on the right. You can see it when the camera pans up.]

As I run down the block, away from the smoke, I see an abandoned low-heeled black mule here. A few strides later, I notice its mate. I glance at my own impractical running shoes, a pair of overheated, red rubber galoshes squeezing my pumping calves. I consider abandoning them too. Up towards 3rd Ave., I run past a minivan frozen in the middle of a parking job, its passenger door agape and its seats empty.

The fire engine sirens seem to be coming from all directions. Cars are gridlocked and not letting them pass. Most people are running. Some people are trying to get on their phones. Some people are taking pictures with their cell phones. A few are crying. I get all the way to 1st Ave. and turn downtown. My run turns into a brisk walk. I am out of breath, but I am not turning around. After many attempts of getting through the busy cell network, I manage to get through to La Doug's voicemail and tell him I'm fine, but what's happening? I call my NY cousin, who also works in midtown, and leave a voicemail for her. I call my L.A. cousin and leave a message for her to call my mom and tell her I'm fine.

I'm dripping with sweat, but I'm calming down. My pace slows. I change into my gym sneakers and stuff my galoshes into my bag. Somewhere in the 30s on 1st Ave., I stop in a deli to buy an extra large bottle of water. Just in case. The deli guys don't seem particularly alarmed.

ME: You should turn on the news. There was a huge explosion at Grand Central.

DELI GUY #1: Grand Central? Terrorists?

ME: I don't know. I haven't heard.

DELI GUY #2: Man, these guys do some stupid shit, and then who has to pay? We have to pay.

The deli guys are Middle Eastern.

I pay, thank them, and head back downtown. Finally, my NY cousin calls:

COUSIN: Hey, it's just a steam pipe or a transformer or something. Alex [her boyfriend] is at home watching the news.

ME: Look, I don't know how they would know that quickly, but if I were you, I'd go home. Better safe than sorry. And don't take the subway!

Doug calls and I give him a brief run down. I tell him I'll walk to meet him at our original meeting place. As I walk further downtown, fewer and fewer people seem alarmed. People are drinking sweat-beaded glasses of wine at sidewalk tables. Cabs are available. Cars are still driving uptown on 1st Ave.

Am I too paranoid? I live in this great city, I am hitched to this post, but sometimes the Big Apple feels like the Big Bull's-eye. The dirty sock color of the smoke, I've seen it before. When I hear an explosion, I know better than to sit it out and wait for further instruction. Michael Chertoff, his gut has feelings. Every morning, Al-Qaeda! Iraq! Iran! Pakistan! Cheney! Troop surge!

A few things I learned about myself today:

1. I'm not afraid to be afraid.

2. In the event of a crisis, you can bet your britches that I will NOT be one of those bitches trying to get cell phone video to sell to CNN. I am running and I am not looking back.

3. I've GOT to bump up my cardio.

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January 11, 2007

imelda_parasol_1.jpgTake the N R or W to 57th St.

If you do it on February 3, you can see me perform with David Byrne in a concert version of Here Lies Love, his multimedia song cycle about the life of Imelda Marcos. THE Carnegie Hall. With David Byrne. About Imelda Marcos. Written by David Byrne with musical contributions from Fatboy Slim. If it's like the premiere we did in Australia (which you can read about here and here), it'll be three singers and David's 4-piece band. Three singers as in David Byrne, Joan Almedilla (the woman who's going to play Imelda Marcos), and me.

[!!!]

It's a great show -- multimedia, disco lights, archival footage, worldbeat, kick-ass band (including my Miho Hatori bandmates Mauro Refosco and Thomas Bartlett). I had so much fun with David and his band in Australia. This will be the U.S. premiere of the music.

I hope you can come. It's Carnegie Hall! It's once in a lifetime! Tickets are selling really well already. You can check for available tickets on Carnegie Hall's website. Here's the Stern Auditorium seating chart (main stage, holla!). And if you've got good eyes, you might just spot my adorable Mae in the audience.

Read David's journal entry, Carnegie Snowball

David Byrne: Songs from Here Lies Love

Saturday, February 3, 2007 at 8:00pm
Carnegie Hall
Stern Auditorium/Perelman Stage
$21-$70

David Byrne, Vocals and Guitar
Joan Almedilla, Vocals
Ganda Suthivarakom, Vocals
Mauro Refosco, Percussion
Graham Hawthorne, Drums
Paul Frazier, Bass
Thomas Bartlett, Keyboards

David Byrne and his band perform selections from his new multimedia song cycle written in collaboration with DJ Fatboy Slim—Here Lies Love. The songs invoke the life of Imelda Marcos, the former First Lady of the Philippines, and the servant who raised her.

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October 15, 2006

Want to hear some of the music we'll be doing? Miho's MySpace page has plenty to sample. Nic Harcourt's been playing some tracks on KCRW's Morning Becomes Eclectic. We love that guy. The album is out on Rykodisc on October 24th. Check it out, come to a show (listed on Miho's MySpace page), support DIY independent music.

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October 10, 2006

Rehearsal at Mauro's house the other day:

MIHO: I went to see Ladytron last night. They were great.

MAURO: How was CSS?

MIHO: I liked them a lot.

GANDA: Why would anyone name their band CSS?

MAURO: Actually, it stands for "Cansei de Ser Sexy." Means "tired of being sexy."

GANDA: OHHHHHHHHHHHHHHHHHHHHHHHHHHH. I've heard of that band! I saw CSS and I thought it was CSS like CSS.
[Quizzical looks from everyone.]

THOMAS: What are you talking about?

GANDA: You know, like Cascading Style Sheets. It's this thing...you know, it's like naming your band HTML or something. Oh my god, I'm such—

THOMAS: You are such a nerd!

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August 27, 2006

Raul the Bellhop

I wake up early on Friday morning, so I go downstairs to ask the concierge about nearby bike rentals. While I'm waiting for the concierge, the bellhop asks what I'm looking for. When I tell him I'm looking for a bike rental, he sighs. Things haven't been the same since Katrina, he says. He tells me the Ritz-Carlton won't open for another two years. They've just found out the Fairmount Hotel will never re-open.

IMG_1453.jpg

I might have been able to rent a bike easily in the Quarter before the hurricane. But many businesses have had to close up shop. At the furniture store across the street, a sign says re-opening soon, but Raul says they're never going to re-open.

Rent on the small fine art gallery across the street is $14,000/month, way beyond what the gallery can pay now. The landlord is giving them one more month before he evicts them. The Gray Lines tour company just returned to the hotel a month ago, and whereas they used to do a brisk daily business, they can now only afford to man the desk three days a week.

Raul shows me pictures of the house across the river that he and his wife had bought in full before the hurricane. They had homeowner's insurance but no flood insurance, so the insurance company refuses to pay him. The house in the pictures is a wreck covered in mold spores. The pictures, which he keeps in his jacket pocket, are permanently crumpled in the shape of his thumb. A Catholic charity, not FEMA, has been working on clearing the debris.

He tells me about his two hellish days stuck on the interstate without food in the intense Southern heat. He points out other people in the hotel lobby who have lost everything -- the salt and pepper-haired white woman concierge with the garbled Cajun accent, the young white bellhop in his 20s who lived in St. Bernard's Parish, the young black bellhop Reggie who also lived with his family across the river. He tells me that twenty employees of the hotel still live in the hotel because they have nowhere else to go.

Bon Ton

My friend Jon, who comes to New Orleans frequently, recommends the Bon Ton Cafe, just outside the French Quarter. "But you have to go right now because they're not open on the weekends."

I rush over there in the hopes of making it for lunch service. I arrive about 5 minutes late but enter anyway. "Are you still open?" I ask.

A gray-haired gentleman greets me at the door. "Of course." He seats me at a table by the window. The restaurant is all dark wood and red and white checked tablecloths. Every table has a basket of packaged crackers. The waitresses are wearing old school white button down dresses and pad around in orthopedic shoes, while the waiters sport white chef's jackets. I love this place already.

On the waitress's recommendation, I order crawfish etoufee with parsleyed rice. Probably 60 smothered, peeled crawfish are laid in a ring around a mound of converted rice. It's buttery, extremely garlicky and rich, and it comes with a side of crisp fried onion rings. It's incredible, and despite the fact that I've got a stomach full of beignets, I manage to eat half of the huge plateful.

All around, I hear Southern accents, but my untrained ear can't pick out where they're all from. But everyone talks about Katrina -- what was it like, where were you, where's your home now? I remember on the anniversary of 9/11 thinking about where I was that day, thinking about how things had changed. It was still very raw, very real -- like it'd happened one day ago, not one year before.

The man who had greeted me at the door is now seated at another table. He and his female companion seem to be the proprietors, and they're having lunch with a gangly teen who looks like their son. The kitchen doors swing open a few times, the cooks and several children casually streaming in and out to chat with the proprietor's family.

Outside, a summer storm has started and it's pouring. I have my rain boots but no umbrella. My lovely waitress comes to reassure me that they're not going to lock the doors or anything, so I should just take my time. I stare out the window at the sheets of rain, waiting for it to let up. These days, when I see the belly of a low-flying plane, or when the weather is particularly gorgeous in New York and the sky is that perfect shade of blue, I think about 9/11. I wonder, whenever it rains hard here, as it must during hurricane season, do the people in Louisiana and Mississippi have flashbacks about Katrina?

The Bon Ton Cafe
401 Magazine St.
New Orleans, LA
504-524-3386

The Lower Ninth Ward

Our old friend Rick moved to New Orleans from New York before Katrina. He and his girlfriend Sarah come to the show and promise to drive us to the lower ninth ward on our last day in New Orleans. At about 10:30 on Saturday morning, we pile into his Jeep and head out of the French Quarter.

As we drive through Bywater, the landscape begins to change. Here and there, we see more piles of debris. The buildings look empty, unused. Then, suddenly, the buildings start to look completely abandoned. Every building, from garage to home to restaurant to dentist's office, now has spray-painted markings, usually next to the doorway. Sarah explains that the symbols refer to who has searched the building, when they searched the building, and what they found. It's eerie to see these marked up, abandoned houses, row after row, block after block, empty.

Then we drive across the bridge that separates the Lower Ninth from the rest of New Orleans. Sarah and Rick point out the area where the levees broke. When we get off the bridge, we see construction workers working on what will probably be a monument. After that, we see very few people, and very few signs of human life.

We turn into the neigborhood that bore the brunt of the damage. On the left, there's the house from the New Yorker article, a baby blue wooden slat covered home crunched on top of an overturned car. Over there, a concrete slab that was once the foundation to a home. On the right, a glimpse into former lives -- rotting couches, broken windows, abandoned. Everywhere, nature has taken over, feral vines and weeds and grass reclaiming the broken land.

The only other people we see in the neighborhood during the hour that we're there are a contractor or two, a car full of teens, and a film crew with its camera sticking out of the passenger's side window. The heat is intense, and I think about all of those people who were begging to be rescued from their melting rooftops. Every single one of these houses, or house lots, was a home to a family, maybe a large family. Where have they gone?

I think about how the country rallied behind New York after 9/11, coming to visit, to remember the devastation, to support New Yorkers and support our businesses, to bring our economy up and to show their sympathy. But where are those people now? Where is our anger? Where is our sympathy?

I regret that I never saw New Orleans before Katrina, but I'm really glad I got to see it now. It's important to see how a whole city, a whole region can be broken by neglect, by inequity. It was shocking. It broke my heart.

Help

Share Our Strength is having a Gulf Coast fundraiser -- 100 restaurants in New York City are donating part of their sales on Tuesday, August 29, to hurricane relief. People in the area, people displaced from the area, still need a lot of help.

If you can afford to visit the area, you should. Talk to the locals, bring your business to the city and see what is happening for yourself.

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August 27, 2006

Haunted Hotel

We check in at the Monteleone, which is apparently haunted by small children. I'd like to think something happened on the 5th or 11th floors, since the middle bank of elevators don't stop on either floor.

Acme Oyster House

After checking in, we go for a rather middling meal at the Acme Oyster House. I only have one raw oyster. (I am sorry, Calvin Trillin, but it is August and hot as hell, and I am not taking my chances on a plateful of warm water Louisiana oysters the day before a gig, no matter how good they look.)

The fried catfish is salty and crunchy-coated, but the fish itself is bland and oddly watery. The New Orleans medley is also salty and half-hearted. I daresay the Cajun grub was better over in that Bethesda, MD joint. We take a slow, food coma stroll through the French Quarter. I've been in New Orleans for a few hours already and I'm still waiting to be blindsided by the French Quarter's charm. Instead, what I see is the hollow bone structure of what was once a beautiful lady. The hotels are all vacant. The ornate, wrought iron balconies, decorated with lush planter boxes, are empty. Even Bourbon St. seems sad and lonely. A cover band plays a deafeningly loud facsimile of The Stones' "Brown Sugar" to an anemic audience of two. There are two or three for sale or for rent signs on every block.

I'm waiting for the beat, the rhythm, the funk of New Orleans to get all up in my grill. Instead, I feel the silence, the emptiness. By the second day, I'm overwhelmed by the silence. Imagine Times Square, totally devoid of tourists, its neon lights flashing for a missing audience. Where is everybody?

Beignets? Ben-YEAH!

Despite the fact that the jambalaya and the french fries and the catfish are expanding in my overworked gullet, we stop at the famed Cafe du Monde to try the beignets and some iced cafe au lait. I love me some beignets. The big square of open air seating is lightly cooled by constantly spinning high ceiling fans. The tile floor is sprinkled with lots of excess powdered sugar.

I shake the bag of beignets around so I can get them coated in the powdered sugar. They're four by four inch square pillows, hot and fresh from the fryer. Despite the swampy August heat, I lean over the beignet, away from my clothes, and take a hot, sweet bite. The dough is firmer than I had expected, much more substantial than a krispy kreme. With my milky iced chicory cafe au lait, it's HEAVEN. The second morning, Miho and I share a bag of three. The Asian waitress turns to her and asks, "Vietnamese?" I look at all the waitresses and, except for a few surly looking teenagers, they're all older Vietnamese women. This reminds me that Pho Grand in Manhattan makes their Vietnamese coffee with Cafe du Monde grounds. What's the Vietnamese connection? According to Thomas's friend Kathryn, New Orleans has the largest Vietnamese community outside of Vietnam. It's hard to get good Chinese food but easy to get great Vietnamese.

That night, we have a great gig at Tipitina's. I get pretty drunk -- so drunk that as soon as we get back to the hotel, I decide that the only thing that will make me happy is a bag of beignets. We stumble through the Quarter towards Cafe du Monde. It occurs to me that I am drunkenly stumbling up Bourbon St. Some people are out and about, but it's not even as many as you would find on a Friday night on Bedford in Williamsburg. A man on an 2nd floor balcony swings cheap beads at us, presumably hoping for a glimpse at our tetas. Despite what Joe Francis thinks, my mosquito bites are not so cheaply bought.

We make it to Cafe du Monde at around midnight (lucky for late night revelers, it's open 24 hours). Miho, Thomas and I eat three beignets each this time with some decaf. I've decided that beignets are the best alcohol soaking snack known to man. I also feel a little sick. But what I wouldn't give to feel that kind of sickness again right now.

Cafe du Monde
1039 Decatur St.
New Orleans, LA

To be continued...

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August 20, 2006

We're not in Kansas anymore

We arrive at LaGuardia 3 hours before the flight to New Orleans. I left my house to pick Miho up at 6:35 a.m. for a 10:30 a.m. flight. I'm happy to report that the security check wait is not nearly as long as we had anticipated, and we probably could have arrived at 9 a.m. instead.

My new M.O. for reducing flying anxiety is to sleep through as much of the flight as possible. Actually, I can't really help it, my body just shuts down entirely as soon as I board the plane and take my seat. My secret -- a window seat to lean up against, an eye mask and a pair of earplugs.

I wake up as we're descending into New Orleans. Miho and I ooh and ahh as we fly alongside huge vertical cotton puff clouds suspended in midair. The circle of tall puffs pour gray shadows over a lush green clearing surrounded by trees. As the plane makes its descent towards the runway, we fly over bloomy green and puce muck, out of which spindly trees poke up like dark stubble.

God's Country

We're picked up at the airport by Billy from Rykodisc and our driver, Hotel Al, a white-haired man with a fantastic round drawl and enough joie de vivre to fuel all the dacquiri machines on Bourbon Street. He's worked for the Monteleone Hotel for 47 years. His apartment is in the French Quarter, just around the corner from hotel.

GANDA: Are these the suburbs?

HOTEL AL: Yes ma'am. This here's Metairie, Louisiana. Oh, they love it out here [except it sounds more like Aw, dey love id out heah. --Ed.] They call it God's country. [Pause.] 'Cept I bet people say that about New York too.

BILLY: Uh, no.

****

HOTEL AL: See that yellow line over there on the wall? That's how high the water was. I brought my mother-in-law out here nine times, and she just kept comin' back, I couldn't believe it. [Pause. Then guilty laughter from the passengers.] I'm just kiddin'. [HOTEL AL Laughs gleefully.]

****

HOTEL AL: These are the famous above ground cemeteries of New Orleans. Everybody dies in alphabetical order. It's true, I check the paper every day. [Turns to Billy.] Let me tell you, a guy like you, last name starts with "F", you gotta wait til about 11:00. If you pass 11:00, you alright.

****

HOTEL AL: See this Winn-Dixie? They ripped the lock and cleared the whole store in about two hours. Over here's where they were sniping at the police. Four people killed every night, they say crime is down. Yeah, it's downtown.


****

GANDA: Hey Al, I heard you have a sister who used to be your brother.

HOTEL AL: [laughing] Who told you to say that? Raul told you to say that? It's true, I got a sister used to be my brother, I got an aunt used to be my uncle.

****

HOTEL AL: This here is the French Quarter, where the women are women and the men are too. [As we cross the intersection at Bourbon Street, with a fine New Orleans drawl to a touristy-looking passerby.] Excuse me, do you know where Bourbon Street is?

TOURIST: [shrugs earnestly] Sorry.

[Everyone in the van breaks into peals of giggles.]

HOTEL AL: [To another passerby a few feet down.] Excuse me, do you know where Bourbon Street is?

LOCAL: [without skipping a beat] Yeah, you got 20 bucks?

Part 1 of several -- it's probably going to take me a few days to put together my thoughts on New Orleans. In the meantime, you can go look at my Flickr pics.

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My name is Ganda. What kind of name is France Gall?

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