On the rarest of occasions, it is possible to take a bite of something and taste an entire lifetime in it.
Sometimes it's an animal's life, very straightforward. Sometimes it is the chef's life you taste, his memory, her touch. Sometimes it's your own life.
I can count the number of times in this has happened to me. The first time was when my whole clan went to visit my cousin when she was in college. We ordered takeout from the Thai House on Market St. in San Francisco. My father, whose brother did the electrician work for many of the Thai restaurants on that side of the bay, popped his head into the kitchen and asked to get our food extra Thai-style. We ate sitting on the floor of my cousin's railroad apartment in the Mission. What I remember was a tom yum goong, so pungent and tangy, topped with blistered chilies that singed and sang. That night, I tasted my family's life, in a moment when we were all together, just a few years before we dispersed around the nation. I'll never forget that meal. We still talk about it to this day.
Another time was a meal I had with my then boyfriend at Nobu. My boyfriend wanted to impress me. I was mostly ungrateful and unimpressed. Until, that is, the final course came out -- a small bowl of broth, all golden clarity and tasting of the sea. It had a few small pieces of pink and white fish, poached to perfection, with just a few sprouts of mitsuba floating about. It made my boyfriend cry. It made me a little teary. We looked at each other. We looked at the chef. The chef nodded knowingly. I tasted the ocean in that bowl, the Pacific ocean, the history of kelp, the bright sun that warms the upper reaches of the water.
And then there was
Mathias Dahlgren's Matsalen.
Francis and I decided to go and treat ourselves one night when
he was in Stockholm. My appetite was ample. The little teasers had been clever and delicious -- a seascape made of paper-thin, dehydrated cauliflower floating like coral in a glass of sesame seeds, a sail of soy-seaweed paper, a crisp sheet of beet. And there it was -- a tiny bun warmed on a charred piece of wood. The waitress gave some story about this bun being Mathias's first memory as a child. Yeah, yeah, I thought. Just lemme at it.
The smell -- coal, fire, dough. Smooth, round bread against the wavy grain of the wood pedestal. I popped it into my mouth and clamped down. And -- was that a gob of butter? A little salty, and then the dough was sweet. Creamy. Soft. Oh god. My blood vessels dilated up to the roots of my hair. There it was -- recognition. The chef's life in a bite.
The tasting menu at Mathias Dahlgren was one of the best meals of my life. Seriously. Moments of true bliss followed as Francis and I chuckled our way giddily through the seven-course dinner. A little tile of ling, a cod-like fish, and the daintiest scallop, seared with just a smack of heat, was tender and sensual against a masculine garlic puree and palate-cleansing parsley sprouts. It lit Francis's face up. Bling!
Raw tongue lengths of coral-colored salmon folded over bright orange whitefish roe, nestling against a creamy bit of artichoke puree and emerald green Gotland asparagus tips, all moistened by a touch of browned butter and adorned with lilac chive flowers. This dish was absolutely feminine, encompassing the delicate complexity of spring, all fertility and sensuality. It was my favorite dish that night.
Langoustine wrapped in -- was that pure pork fat? -- pork cheek, served with an astringent lovage-pea puree. A pumpkin porridge topped with parmesan cheese, black truffles and pumpkin seeds -- simple and earthy. Rich saddle of lamb with fried sweetbreads were decadent but played up the complex flavors of the meats themselves.
But over the next few days, I realized that another dish was haunting me, continues to haunt me. It was so deceptively simple, so audacious. A rectangle of their crustless pillowy sourdough was stuffed with cow's milk cheese, pan fried on all sides in olive oil and touched with honey, sea salt and black pepper. The grilled cheese (because, come on, it's a grilled cheese) came with a thin, long shot glass of fermented birch sap, a lightly fizzy, lightly alcoholic translucent white beverage. Epic sagas could be written about the flavors that came forth with every alternating bite and sip. Honey + salt. Milk + yeast. Tree + animal. Age + brew. Is it too soon to taste that again? Will I ever taste anything like that again? I wonder.
A visitor I had recently made the observation that Swedes wear the same
standard H&M clothes that we do in the States, but they style them
much more interestingly. The same could be said of food here -- the Swedish sense of style is in play here. Matsalen doesn't have an infinite palette of flavors. But what it has, it uses gracefully, bringing out nuance.
Matsalen, located in the Grand Hotel, looks out on the dock where Waxholmsbolaget ferries drop anchor when they're in the Stockholm harbor. The boats come and go over the course of a dinner as the cloudy sky fades from gray to navy. It's a really quintessentially Stockholm view. Inside, the dining room is chalky but warm, done up in complementary shades of blue gray, beige and white, echoing the colors of the boats and their headlights against the changing evening backdrop. It's elegant, not stuffy, mimicking the hushed reverence and charm of a seaside chapel.
Matbaren, the more casual restaurant next door, offers a few of the same dishes on Matsalen's a la carte menu, though the food a little less interesting. The room is a lot more casual, with wood walls, tall stools, Poul Henningsen light fixtures and a long, curved dining bar. The unmissable: the horseradish herring was fucking unbelievable -- a cream herring, pickled but not tart, with a row of adorable, halved boiled fresh potatoes and a rope of bleak roe. A few purple rings of onion add color and zest; underneath the stole of cream and above the brown butter slip, the herring hides tiny segments of lemon which burst with the bleak roe at precisely the right moments. Make sure to also order a frosty shot of Mathias Dahlgren's own double-biting horseradish snaps.
And check out this dessert: a chilled 50s martini glass is filled with plain yogurt, with a soft ball of peach sorbet plopped in the middle (had to be robot-couped, it was so fine and smooth). Around the glass, a ring of toasted, skinned whole hazelnuts (which have become a regular staple in my diet) circle the sorbet, with a little honey and a halo of fruity olive oil, topped with a pinch of sea salt. Two temperatures, several textures, and big, bouffanty flavors. I have got to make it for a dinner party sometime.
I will say that it's a good place to take yourself on a date. I wasn't the only solo diner in there tonight -- two guys on the other side of the bar were also eating alone, though I think I totally out-ate them both.
I've been considering going to Matsalen one more time before I go home, but I'm not sure I want to. The experience was so sublime, so moving in my mind that I dare not disturb the dream. But you can bet that the next time I'm back in Stockholm, I'll have a reservation there.
MatsalenMathias Dahlgren
Södra Blasieholmshamnen 6
T-bana: Kungsträdgården
Matsalen tasting menu: 1500 SEK (about $200). Reservations required.
Matbaren 3 courses with 3 drinks: about 1000 SEK (about $130). Reservations recommended, but there's supposedly always room for a drop-in.
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